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VHS 80’s Horror Prom

VHS EIGHTIES HORROR prom The Devastator Los Angeles

Want something spooky and funny to do for Halloween? Well, The Devastator and the VHS Mummy are having a show called VHS 80’s Horror Prom on October 30. It’s free!

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Biran Scarves

Biran Scarf Vacation Days Hamish Robertson

Local design outfit Vacation Days has a new collection of scarves out called the Biran scarves. They’re quite beautiful! They also have a collaboration with TENOVERSIX. Check it!

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Sagrada By Anenon

Sagrada Anenon VIA Publication Julie Niemi

VIA Publication has a great review of Los Angeles’ electrionic act Anenon’s new album SAGRADA. The album is out now and great, too.

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2 X 2 X 2

2 X 2 X 2 Nevine Mahmoud Kathleen Ryan Favorite Goods

Favorite Goods’ latest art show is called 2 X 2 X 2 and will feature Nevine Mahmoud and Kathleen Ryan from October 11 through November 23.

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Sex Erotica

Sex Erotica Eddie Jelinet Tom Of Finland Foundation

Eddie Jelinet and Tom Of Finland are showing his work Sex Erotica, drawings of Madonna. Catch it at MODA Hollywood on October 18!

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Features

James Schnauer Los Angeles Glow 1

If you’ve ever attended a trade show, you know that there is more to the exhibition floor than the goods on display. Brands will create elaborate, temporary worlds to envelop visitors, to wow them with the pop-up display. Most of these mini-experiences are behind closed doors, by and for those of a specific industry. The creativity shown in these worlds are often missed by outsiders, a sad reality of these industries. Los Angeles can sometimes feel like this, too. It’s big and unmapped, full of captivating exteriors and carefully crafted façades intended to show off aesthetic inventiveness. Unless you have a tour guide or have lived here for long enough, the city can feel as though it is all behind closed doors.

This is a fact that James Schnauer is trying to overcome. He and his Marina Del Rey company Glow have made a name for themselves creating extravagant temporary worlds for businesses, typically in the entertainment industry. Now, he’s hoping to break out of the exhibition space and into the public. “For us it’s all about people and the interaction within a space,” he explains, seated in Glow’s colorful, relaxed conference room. “Whether that comes with a bunch of restrictions or is indoor or outdoor—or whether it’s totally open—that keeps things fresh and interesting. I’ve always worked in smaller studios where you have a bunch different jobs: that keeps you nimble, able to change your course quickly.”

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A Cow Is Too Much Trouble In Los Angeles 1

A few weeks ago, I was wandering around Franklin Village used book club Counterpoint and stumbled upon a stack of serial novels and vintage romances. They ranged from mid-century love affairs to seventies sci-fi pseudo-epics and had some of the craziest, catchy names. I literally scanned through them all, in case a rogue title provided itself to make for a great gift or funny coffee table item. Believing there wouldn’t be anything fruitful, I neared the end and found one faded orange spined tale: A Cow Is Too Much Trouble In Los Angeles. Yes, A Cow Is Too Much Trouble In Los Angeles is a book I found and I had to buy it.

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Alec Rojas Foreign Waters Los Angeles 1

Near the beginning of the year, I met up with one of our contributors Alec Rojas for a drink at the lobby bar of The Roosevelt. The environment is an interesting juxtapositions of Los Angeleses: it’s gaudy and over the top while being classic and refined. It is filled with locals but also home to many confused crowds from Hollywood and Highland. The place is the kind of local destination that you won’t readily admit to visiting but has a certain magic to it that only the most hardcore of Angelenos will appreciate. It is a fascinating, conflicting local haunt.

The image of The Roosevelt felt particularly fitting for the meeting since Alec was relaying a copy of his new book, Foreign Waters. It’s a noir-ish sci-fi sketch of Los Angeles in the future, one that feels so familiar yet so foreign. It’s a tale of intoxication that may feel alien but stands parallel from the lifestyles many in the city now inhabit. Foreign Waters is the kind of read that makes you question what reality is and if you are doing it correctly.

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Mandy Kahn Math Heaven Time Los Angeles 1

Poetry is the most esoteric of the written forms. It can be unavailable and unfriendly, an unintentional riddle for willing readers and annoyed students to attempt decode. The sparse words are carved into their pages with little room for context or clues. The feeling of looking at a poem is much like staring at a monochromatic Rothko: where do you begin to decipher it’s meaning?

Angeleno Mandy Kahn‘s poetry is far from being difficult or burdensome. Like the California surrounding they originate from, they are light and airy, each with their own unique kindness. Instead of trying to push you away from herself and her subject—only giving you a squint into the matter—she embraces your presence, as if she is telling this poem to you, in this moment, in this perfect little place. Her new collection of poems—Math, Heaven, Time—may sound distant, alien, and even too sophisticated for anyone who isn’t a subscriber to Poetry Magazine yet it welcomes you with open arms.

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